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Pedagogy for Winds and Brass
Free

Join the e-learning module to learn best practices for teaching winds and brass students.


✓ Over 20 hours of content
✓ Semester-long access

Become a Better Teacher Today

Aspiring musician-performers often possess advanced technical skill and deep theoretical knowledge within their instrument or musical discipline but lack the pedagogical skills to effectively transfer this knowledge to students. This gap presents challenges when they enter teaching roles, as their struggle with self-efficacy, combined with a lack of pedagogical knowledge, can make it difficult for them to articulate concepts, adapt instruction to various learning levels, and create engaging learning experiences.

This class examines all aspects of teaching wind players, including basic set-up for beginners, effective ways of teaching musicality, strategies for working on breathing and tone production, and ways to promote a culturally responsive classroom. Learners become familiar with best practices to enhance learning, how to promote healthy playing habits, and strategies to teach private lessons and lead ensemble rehearsals.    

Flipped Classroom

For Students Enrolled Through Longy School of Music: No more boring lectures. Take in the readings, lectures, and videos at home. In-person class reserved for in depth discussions, collaborative activities, and student teaching.

Authentic Experiences

Using role-playing, formative assessments, and problem solving, we will explore common teaching scenarios.

Teaching Brass and Woodwind Techniques

Want to learn why there's a chimp in the horn studio? Join the course to find out!

About
your Instructor

“As a teacher, Hazel is inspiring, insightful, and invested.”

—Logan Fischer, former student

Hazel Dean Davis is Lecturer of Horn at Boston University and an in-demand orchestral, chamber and Broadway hornist living in Arlington, Massachusetts. She played the solo horn chair in the revival of 1776 on Broadway in New York City in 2022-2023 and on the national tour in 2023, and is a longtime member of the Boston Pops Esplanade Orchestra in Boston. Hazel has performed with the Boston Symphony and Pops, Cincinnati Symphony, San Francisco Symphony, Baltimore Symphony, A Far Cry, Boston Ballet, and Portland Symphony. Hazel regularly performs on chamber recitals with Chameleon Arts Ensemble, Chamber Music Boston, Music Con Vivo, and the Longy faculty Series.

Hazel grew up in St. Paul, MN before attending Harvard University (B.A. ‘03) and The Juilliard School (G.D. ‘04). She was a Tanglewood Music Center Fellow for two summers, and also attended the Marlboro, Pacific, and Aspen Music Festivals. At age 22 she won a job with the Virginia Symphony where she played as 4th and then 2nd horn from 2004-2015. A dedicated teacher, Hazel is on faculty at Boston University School of Music, Longy School of Music and the Brevard Music Festival. She also maintains a private horn studio in Arlington, MA, where she lives with her husband, three kids, cat, dog, and tortoise.